Opening next Saturday, July 26th to September 1st, an exhibit of tarot art at The Hermit's Lamp, 425 Vaughan Rd., Toronto. It should be an interesting show with diverse collection of styles and media. See below for details.
My submission is a giclee print of the High Priestess, the third trump card, representing feminine intuition and wisdom. She is offered framed and unframed, 12 x 16" on archival paper.
These four icons are on exhibit now at the Ottawa School of Art's Biennale Mini Print Exhibition. My 3 inch square linoleum prints join over 270 miniatures by 110 artists from 25 countries at the OSA Byward Market Gallery from April 24 to June 1, 2014.
...to Leslie Jones Restaurant for the opening of Canadian Icons. Delicious food by awesome chef, George Wensley and lots of fabulous art!
I have submitted an oil painting of William Shatner and a few linoleum prints. He was a tough subject, having no real distinctive features. At one point in the process he resembled Chekhov more than Captain Kirk but I forged ahead to the best of my abilities at present. My husband had the brilliant idea of replacing the Starship Enterprise with the Canadarm. Here's a quick snapshot of the painting - he doesn't look quite so yellow in real life.
I have recently become obsessed with the period of Revolutionary France and many of the interesting characters who lived at that time, circa 1789 into the Napoleonic era. I have developed a great interest in the tragic life of the fascinating Josephine Bonaparte, thanks to a highly entertaining, well researched and annotated trilogy of historical fiction by Canadian author, Sandra Gulland. Her books inspired me to read biographies of this interesting woman who has been reduced to a caricature and footnote in history. I am starting with the life of Josephine and have plans for other notable women from that period. I feel that we have much to learn from the French Revolution and that there are many parallels in modern politics and life. I love researching and wish there were more hours in the day to burrow down the many rabbit holes that lead from one to another.
I am not sure what triggered this sudden interest but am compelled to pursue it. Perhaps it comes from my French ancestry. I am working on paintings of Josephine as well as writing and illustration in my linocut technique. This is a spread depicting a Victims' Ball, a social fad that was said to occur following the "Reign of Terror" circa 1794, after the fall of Robespierre. Victims of "The Terror" gathered to dance wildly as a release from the horrors they had experienced under the Jacobins. Some historians from the French Revolutionary era describe these balls in which women and men sheared their hair at the nape of the neck where the guillotine blade would have fallen. The women purportedly wore red chokers for the same reason. The historical accuracy of these accounts is contentious but it makes for an interesting story.
This is the preliminary sketch of a Victims' Ball. I usually do my roughs in felt tip pen but this was so detailed I thought it would be more efficient to use pencil and eraser rather than continually retracing as the drawing develops. I got into the habit of working with pen on tracing paper from my days as a retail layout artist.
This is the scan of a detail of the inked linoleum carving. The image is bigger than my scan bed and in this case I pieced together the black and white print lifted from the linoleum plate. I am so accustomed to thinking in reverse after all these years in printmaking, that I have trouble discerning reality from its mirror image. I can, however, read text backwards with great facility.
This is the scanned and assembled black and white print before I cleaned up some of the unnecessary marks. I sometimes get carried away cleaning up the line and wonder if I'm not removing some of the hand made charm. This dilemma arose when I switched to colouring digitally and was able to zoom in to the nth degree.
I wanted rich detail in this art and added patterns downloaded from a great site, CG Textures (the image link will take you there). You can download many textures for free and if you need a higher res the price is reasonable. You are allowed a certain number of free downloads per day. I also colourized the line brown to give it a more historical feeling by adjusting the sliders in Selective Colour under Image-Adjustments in the Photoshop menu.
Et voila, all the layers get flattened in the final stage. The process may look rather laborious but I have gained speed over the years and still enjoy the combination of hand carving and digital work. La variete est l'epice de la vie. This is a literal translation of "variety is the spice of life," and probably grossly inaccurate as I am a mere novice in the French language department, and mon ordinateur n'a pas des accents:-)
I was fortunate to have my Partridge in a Pear Tree design chosen from 300 entries in the Most Artistic Christmas Card Contest at Kate Harper's blog, Greeting Card Designer.
Twenty winners were selected with first place going to a beautiful photograph by Grassroots Cards.
Kathy Krassner, Director of Communications for the Greeting Card Association, chose the final winner and commented on some of the winning entries.
This was a fun exercise for the Society of Children's Book Writers and Illustrators, Canada East Chapter. Peggy Collins, the creative genius behind the blog came up with the idea of pairing an author and illustrator with a few key words. The creatives have no contact with each other and the results are often hilarious. I was teamed with Stephanie Maidens and our attributes for were - Name: Luke, Species: Kangaroo, Occupation: Lumberjack, Location: Cave. You can see Stephanie's wonderful story with a surprise ending, and more mash ups at The Children's Illustrators' Studio.
Artist and designer, Patti Gay, kindly invited me for an interview on her blog, The Illustrator's Market. You can see my interview and many other talented artists, including Patti Gay herself!
This health clinic is driving around Phoenix right now. I hope to get down there to see it one of these days - just love the desert! I know size isn't everything but this is my largest assignment to date!
I am an illustrator with many years of experience in publishing, editorial, advertising and corporate. My illustration technique is linocut, printed and scanned with color applied in Photoshop. I love mixing old school and digital technologies and now am learning to paint in oils and with a wacom tablet. I'll post my learning curve here. Variety, the spice of life!